This coincides with my post at the bottom of the previous page.
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BlakeB717 |
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This coincides with my post at the bottom of the previous page. |
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MasterDarkNinja |
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Just rewatched a second time, here's my current ratings, I'll get in another watch tomorrow.
Brent: INV1 Dave: OTTN3 (Might still change my mind here, I'm on the fence on his tone and if he was MOR or OTT) Jaison: MORP3 (He was a bigger presence in the episode then I noticed the first time) John: UTR2 Kelly: MOR2 Laura: MORM3 (I so want to give her a N, but I just can't justify it, she wasn't that bad compared to last episode) Mick: UTR2 Monica: UTR2 Natalie: OTTP4 (Very OTT in that rat scene, but I'm shocked that she was visible enough for a 4 visibility) Russel: CPP5 (He was the underdog we were met to root for, we were met to root for his plan to succeed this episode even if we didn't like him we left the episode feeling a bit better about him seeing as he helped Foa Foa survive again) Shambo: MORP4 (Got a dumb moent or two that might have looked N, but gave me a P intent impression overall. I may still change my mind on this) By the way, did anyone notice how it looked kind of like Russel was holding a devil's trident the color of wood (or rope?) when he was telling Jaison about finding the HII? It looked like it was a piece of rope or wood or something. It was so weird, I thought my eyes were playing tricks on me the first time I watched the episode and saw it. Oh and my winner pick is still Russel. |
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BlakeB717 |
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Natalie: OTTP4 (Very OTT in that rat scene, but I'm shocked that she was visible enough for a 4 visibility)Me too! She seemed way more visible last week and she only got a 2 then on the chart! |
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gretchensucks |
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Still not understanding the Shambo MOR ratings. She did come up with all of the plans this episode. Boot Kelly instead of Monica because Monica isn't a
threat. She set up the plan on the bridge. Then after IC she explained it again, even calling it "the plan of attack." Then the whole thing went
down exactly the way she set up.
CP or CPP if I've ever seen on. |
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Kitty Pryde1 |
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If you're gonna compare Natalie to Susie (which isn't all that good of a comparison given that Natalie's edit has been pretty good since that first
big episode), then the obvious comparison would be Mick to Marcus, as the bland alpha male who probably continued getting soundbytes on Foa Foa specifically
because he was their leader, and now that they've hit the merge, that title seems to no longer apply to him, and thus, he's gone UTR.
Also, you probably shouldn't bring up Susie's edit at the merge because she got a UTR1 there too. The fact is, look at EVERY other past winner. Even if you want to ignore the merge rule, which has held true through 17/18 prior seasons (and in the one case it didn't hold true, the winner got an OTTP the very next episode), look at Mick's ratings. Honestly, he could legitimately be MOR for the ENTIRE season. I had him as MOR4 in episode three. He's only had ONE tone, and that tone was specifically due to the twist in episode one. If Mick was more complex, I would be more willing to accept him as a winner. If he had more tone, I would be more willing to accept him as a winner. But the fact is that his sole purpose has been to narrate Foa Foa, probably because he was elected as tribe leader. Look at his ratings. Only two other people in the show's history have had four straight, toneless MORs, and honestly, I would say Mick has had SIX at this point, beating out Edgardo's record. Mick's edit ONLY looks good from a strict numbers standpoint, and numbers are what turned our eyes towards people like Amanda, Marcus and Stephen, as people have pointed out recently. Edgic as a whole has gone 1/4 in the past four seasons, so I think that picking a winner based solely on numbers, and not content, makes no sense. |
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SurvivorGuy24 |
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getting real wrote: Not even close. If I had to pick between the "unorthodox" edits this season, I'd take Russell in a heartbeat over Natalie. Hell, I'd take Monica over Natalie at this point. I stand by episode 1 as the cornerstone of edgic theory. Until it's proven wrong. |
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chapera rocks |
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scepticA wrote:Excellent post, great insight. I also have to commend you for not using the 12 person merge argument. I still however, don't necessarily agree. I do think from a statistical perspective as well; and while I agree that the episode after the merge is not a significant point, I can't say the same for the merge episode. Edgic guidelines are based off of patterns in the show. So while I respect your opinion that it may not be important overall to the winners edit, look at the patterns. The merge is a landmark moment. It's the moment the game shifts. It's not the average episode. You mentioned it's not a perfect indicator. But if you look at the ratings ... Richard - CP5, CPN4 Tina - INV1, CPP4 Ethan - CPP4, UTR1 Vecepia - UTR2, MOR2 Brian - MOR2, CPN3 Jenna - MOR4, OTTN3 Sandra - MORP4, MOR3 Amber - UTR2, CP3 (Projected) Chris - CPN4, CP4 Tom - MORP3, MOR4 Danni - UTR2, MORP2 Aras - MOR2, CP3 Yul - CP3, CPP5 Earl - CP4, CP4 Todd - CP4, CPN4 Parvati - CP4, CP4 Bob - OTTP3, OTTP3 J.T. - MOR2, CPP5 Does it not look like it's not only as good, but probable a better indicator than episode 1? Episode 1 has had UTR winners, in Vee, Amber, and Danni (aside from Tina's which we know was intended). The merge has only produced an exception or a UTR in Ethan. Everything else is solid. Even Vee who was UTR during the actual episode picked it up 10 fold at tribal council with very insightful comments/focus. So what if it could be chance? Well, then there's an equal likelyhood that episode 1 could be chance; patterns indicate they are on the same playing field. So without inside knowledge, to assign episode 1 significance over the merge when there is no statistical evidence to back it up still doesn't register with me. Let's look for other patterns in ratings each episode: Episode 2: Mix of CP, MOR, UTR. Episode 3: Mix of CP, MOR, UTR, OTT Episode 4: Mix of CP, MOR, UTR Episode 5: Mix of CP, MOR, UTR, and 1 OTT Episode 6: Mix of CP, MOR, UTR Skip episode 7, 8, 9...this is where the merge often takes place. Episode 10: Interesting that it's all MOR or CP. This is what I would classify as random chance. Because it's at a different point season to season and there is no commonality between them. A merge is a commonality that produces a unifying pattern. Episode 10 is arbitrary. Episode 12 also falls in this category. It's often the penultimate episode, but if you look at seasons with more episodes, Parvati's penultimate results in a UTR. The penultimate episode may also be one to look at, since Parvati is the only exception. And that is once again a unifying theme. So why look less at the merge episode just because it hasn't been around as long? Just because it hasn't been incorperated onto page 1 by the powers that be? I've heard the merge argument a lot for the last many, many seasons. It shouldn't take this long for people to take it seriously. And I feel people did take it seriously, until this season when Mick's was a dud. I don't know how many times I heard last season that Sierra and Erinn could not win because of their merge edit. But if the merge has held up statistically as well as episode 1. 18 seasons is a pretty big sample size; and patterns that hold up very strongly between these 18 seasons should be taken seriously. That to me, includes both episode 1 & the merge episode. Patterns also indicate that female winners are more likely to break these rules than males. But once again I'm not trying to make a case for Natalie, she's not my pick. I think she could win, given her heavy manipulation these past two eps, but she had a bad start which is edgically unviable the majority of the time. Hope that made sense. |
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scepticA |
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cr, there are a couple of points I made that weren't dealt with in your response. One is the nature of a story (not a theme or story arc, which are
entirely different). In terms of story telling you introduce the main characters early. (Even Harry Lime was "introduced" early in the Third Man,
even though we didn't see him until much later!) From the consideration of story-telling, which in many respects is what edgic is trying to quantify
(protagonist, antagonist, sub-characters, and so on) it is dissatisfying to the audience to have a main character introduced late, when it was reasonable to
assume that the person was of no importance before that. Unfortunately, to think it is less important in this season is to begin to introduce RH into the mix,
which I'm trying to avoid.
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chapera rocks |
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scepticA wrote:Good point. But I thought story telling and arcs were to be left out of this thread? ;) And like I said, I personally believe episode 1 is important. I also believe the merge is just as important. Statistically, they are equivalent. That is my point, they are both important. And that there is no indication that one is more important than the other. Yep! IMO, neither are edgically viable. Jaison is probably the only person that doesn't break any patterns that are important. But Jaison was also a very negative character that has lacked complexity, so I don't mind looking for alternatives. With Mick's initial edit, and Natalie's merge edit, I don't particularly care that either are being looked at. But, I don't like that the merge edit has been downplayed in order to justify Mick's viability (not necessarily by you, but as a whole). Because that is molding edgic to Mick. |
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BlakeB717 |
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Kitty, to say Mick has been toneless is a bit of a stretch. He's the 2nd most positive of the 10 remaining based on overall tone votes. I've seen
people give him P for the first 4 episodes, and the last 2 episodes (not including this episode). Just because the majority hasn't given him P doesn't
mean he has been bland and toneless.
I think FLF brought up the differences between Marcus and Mick's edit which was really good. Marcus had the perfection angle that was hit on the head. Mick has been spared of certain negativities. That works for Mick. Confusing personality with edit is a dangerous road to go down. Also, at the merge FEAST (the fake merge) during Gabon, which half the episode the tribes were together, Susie was CP. |
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The Purple Parrot |
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CHARTS ARE LAW! NO ONE CAN DISAGREE!
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chapera rocks |
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BlakeB717 wrote:This is not the merge. Feast is arbitrary and inconsistent. The MERGE is consistent. |
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Kitty Pryde1 |
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Season Tone Averages
From most positive to least (NN=-2, N=-1, neutral=0, P=1, PP=2) 0.974 - Betsy Bolan 0.842 - Marisa Calihan 0.194 - Natalie White 0.185 - Mick Trimming 0.127 - Elizabeth Kim 0.122 - Shannon Waters 0.043 - Russell Swan 0.033 - Jaison Robinson 0.000 - Brett Clouser -0.006 - Ashley Trainer -0.017 - Dave Ball -0.044 - Erik Cardona -0.097 - Kelly Sharbaugh -0.107 - John Fincher -0.184 - Mike Borassi -0.188 - Laura Morett -0.285 - Monica Padilla -0.512 - Yasmin Giles -0.825 - Russell Hantz -1.503 - Ben Browning Saying that Mick is the second-most positive person left in the game is kinda misleading, because it basically assumes that only a positive person can win the game. Plus, it also assumes that a lot of the cast has been positive. Let's go down the list of everyone left in the game: Brett: Has never received even a remotely decent episode and most people probably don't realize he's even in the game, so he's received no tone. Dave: Has had tone twice, but one was P and the other was N, so they cancel each other out and thus make him look almost toneless. Jaison: HUGE swings from P to N that, like Dave, make him look toneless, despite having five toned episodes out of a possible 8 (I don't think he'll get tone this episode). John: Overall had an OTTN in that first episode, and some people said he was P recently. Either way, he's negative. Laura: Has always been included in the bitchy trio and has really started to come into her own as a negative character. Mick: Had tone in ONE episode, mainly due to the SPV of the first boot, and since then, any positive tone ratings have had to have come from an overall attitude of Foa Foa being positive, because he's completely toneless since episode one, and he's gotten four toneless MORs, which is a clear sign of editorial neglect. Monica: Multiple negative ratings. Natalie: One P, like Mick, but this past episode is unquestionably P to move her FURTHER ahead of him in terms of positive tone. Russell: Do I even need to say it? Shambo: She's been bipolar in tone, which keeps her low. The fact is, this hasn't been a very positive cast, and using the fact that Mick is one of the three people to have not received a negative tone as a strong reason as to why he'll win, ain't gonna cut it. Especially when he's NOT the most positive player left. That title goes to the girl you think impossible to win, Edgically. Look at it this way: The only people who have as few, or fewer tone ratings than Mick (and I include Ms, because that shows editorial intent) are the first two players booted from the game, and multiple Galus who we've already eliminated due to them being completely ignored for long stretches of the game. |
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fat little fingers |
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cr, I think the opening ep is more important than the merge in that the winner's emergence has happened sometimes
at the merge, sometimes in the episode before, and sometimes in the episode after. Mick is taking us into unknown territory.
And you're right to assume who you wish as far as the winner is concerned. Personally, I'd give the ball to Jaison before Russell, based on the pacing of his season. But, I can't deny that Russell is a unique story and that I've always wondered what it would look like if an OTT personality won. But, Edgic can't fortell the future. We can only work with the past and our ability to make sense of what the new edit is up to. You're right that the winner can't be found simply by hitting the show with crude weapons like the INV rule or simple chart counts. What Edgic has to work with is vague and is purposely kept vague, because each season can appear completely different from past seasons. But, I still say that the winner follows a pattern. That is, 1) like scep said, an introduction of some kind of The Hero; 2) going into the background, but never disappearing; 3) reemerging after the middle of the season (and I like to put it that way than, "the merge ep"), with a more complex and visible edit; 4) developing a late story (or continuing to build on an earlier story) of becoming worthy to be the winner; 5) having something occur that puts doubt in success; 6) winning. This pattern can be applied to nearly every winner. There's lots of things to complicate it, like being a high vis cp winner (Yul, Earl, Todd) or very UTR (Chris, Danni, Parvati, Bob). But, they all had: 1) an opening that established who they were and some hint as to how they'd approach the game or what in their character or background gave sense to why they win; 2) a period up to the middle of the season in which they were eclipsed by the loud, immediate stories around them; 3) an end story that begins to solidify for them after the middle ep, (think how Chris jumped from a string of UTR2s to straight CPs at ep7); 4) a CP end-game that establishes their worthiness at least enough to justify the win. flf's handi-dandi winner chart: For a chart, 1) just draw a straight line in the middle of your paper and call it "audience attention/edit quality"; 2) then take the pen and start at the beginning with the pen just above the line; 3) curve under the line and skim from just below to just above until you reach the middle of the line; 4) then begin carrying the pen up above the line in a gentle but definite loop; 5) now keep the line looping gently up and down, but make the loops stay more above than below the line; 6) the loops can finish above or below the line at the end, either will do, because the sum will equal the viewer's belief that the winner did enough to be a satisfactory, (if not their personal favorite), winner. Ta-da! Try it on any winner's chart. It'll vary in intensity and quality, (Vecepia and Bob types will be low in CPs. JennaM looks the worst, but I'd like to redo Amazon. Yul and Todd types will be heavy in them) but the pattern's there. |
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Mikester |
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Kitty Pryde1 wrote:X to every fucking word. |
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scepticA |
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Must the words fuck to agree with them? LOL chapera, appreciate your comments. but note - I specifically said, "One is the nature of a story (not a theme or story arc, which are entirely
different)." The concept of story, of drama as a whole was what I was referring to, and I specifically excluded the more common concepts of theme and
story arc, which are not really part of edgic (I invite those interested in theme etc to Panurge's thread.) So when you said, " But I thought story
telling and arcs were to be left out of this thread? ;) " I just want to make sure you know - I DID leave 'em out.
KP, re Mick as narrator - he's actually had very little true narration. Jaison has had far more. (For those interested in a narrator, check out some of Austin's episodes. He was the poster child for narrators.) Parrot, the only Chart that one should hesitate before ignoring is visibility, because - as I mentioned before - it's the only thing in edgic that is actually quantifiable. Of course, you can count Natalie as a 4 in episode 1 if you choose, but if you do you will be ignored by many posters. |
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Shred |
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Mikester wrote:I agree as well. |
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The Purple Parrot |
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Just because someone made up a formula to describe how visible people on a TV show are does not mean it is "quantifiable" and I find it laughable
that anyone would take it as such. You can speak 20 sentences and still not SAY as much as a person who spoke 5 words.
And I don't believe that I'm being unreasonable by giving Mick a 1 (or by saying that it's ridiculous that anyone could even for one second think about giving him a 3) as you are trying to claim by saying "You can give Natalie a 4 in episode 1." Clever. |
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AbbyGirl |
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Thanks for the compliment, Blake. It's nice to know someone here is reading my posts! I enjoy your posts, too. I think you have made many great points
about Mick, better than I could ever do. If we are wrong, well then at least we tried and stuck to Edgic as best we could.
I am looking forward to screencaps and ratings from Warrior and FLF, I think we need those now more than ever! And if possible, everyone here should go back to the first few episodes and see if they missed any clues as to who the winner could be. I don't think the merge episode needs to feature the winner in a big way, Foa Foa was featured as the underdog "worthy" tribe to root for, that is good enough for me. Great post Sceptic, I agree with pretty much all of it. I think you and FLF both said (in so many words) that the first episode is more important than the merge episode (at least at this point). If I had to choose I would choose the first episode over the merge, there is no excuse not to introduce the winner to us at least in some small way the first time we watch a new season of Survivor. CL always said Edgic was good at picking end gamers and only about fifty percent right at picking the winner. I think that's pretty good! There is no reason to say Edgic is dead if any one of Foa Foa wins this season. Edgic had Foa Foa pin pointed almost right away, no one I know thought anyone at Foa Foa would be around to make jury. Anyone relying on spoilers to make winner picks, shame on you. I hope Cindi exposes all of you after the season is over with big scarlett letters on your avatars! :) |
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scepticA |
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Parrot, sigh... What Warrior did re visibility was indeed quantifiable. It is based on counts of sentences, etc. His standards may be artibitrary,
which perhaps was the point you were struggling to make. But it is quantifiable. It does not weigh the significance of a sentence, or sentences. That is the
point of the rating and the tone. He simply counts a sentence. That is quantifiable. You wish to determine its significance. That is not quantifiable, no
more than tallying a sincerity index or laff-o-meter.
So you don't like the visibilty count, or at least how Warrior et al. defined it. It's too constricting, or whatever. Fine. Like I said, you have given us all your opinion that the visibility chart is utterly meangingless using your own edgic alculus. We shall heed thy words or ignore them, at our peril. You go ahead and give Mick that ol' 1. |
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